If the entire avant-garde of the 20s is followed by the revolutionary rhetoric of the opposition of the old and the new, the destruction of the mechanisms of oppression and the pathos of liberation from the shackles of class, from the 30s the emphasis shifts from "formalism" to the narrative where everything (the ideologized plot and the characteristics of the characters, the dramaturgical development and the final code) should be clear and unequivocal.. Therefore, it is natural that the "production genre" was formed in this period. This genre, as a typical Soviet cinema, is often called - cinema for no one. The attractiveness and eroticism of such movie characters is not due to the literal meaning, but to the idea of the attractiveness of the image, form.